Age-appropriate. Avoid material far outside your playable range—it’s distracting.

Short. For on-camera, 45–75 seconds is plenty. Better to leave them wanting more, unless you’ve been asked for a longer piece.

Active. Choose a piece where the character wants something specific. Retelling a story without a goal usually falls flat. Understand and play the character’s objective.

Talent-specific. Pick material that highlights your strengths—comic timing, range, dramatic chops, Shakespeare, etc. Know why you chose it.

Actor-specific. Select characters that fit your type. Casting directors should be able to picture you in the role.

Emotional. Look for heightened moments, not necessarily extremes. 

Conflict. Strong monologues have obstacles—external or internal—that keep the piece alive.

Discovery. Great pieces allow the character to realize something in the moment. Audiences lean in when they see that spark of discovery.

Well written. Favor published plays and scripts over quick-fix “monologue books.” If you see a great fit on screen, transcribe it and make it your own – check this out as you might find something here.

Final Thoughts on Monologues

Your monologues should excite you and feel active. You should understand what happened right before the piece begins, what you (the character) want, and whether or not you get it. What you choose reflects your taste and talent, so take your time and build a library, of sorts: start by crafting two that you love – one dramatic the other comedic – then keep adding as you grow. Working on monologues (as well as scenes) will sharpen your skills even outside the classroom, so stay curious and active between classes and bookings.