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DTSTART;TZID=America/Los_Angeles:20240603T180000
DTEND;TZID=America/Los_Angeles:20240701T210000
DTSTAMP:20260521T220821
CREATED:20240412T203815Z
LAST-MODIFIED:20240511T011737Z
UID:205812-1717437600-1719867600@mightytripod.com
SUMMARY:Camera 3: Scene Study
DESCRIPTION:April 7\n\n	\n\n	  @  \n\n\n6:00 pm\n\n	\n\n		\n	\n	  -  \n\n	May 26\n\n	\n\n	  @  \n\n\n9:00 pm\n\n\n\n	\n				\n				\n				\n				\n																														\n				\n				\n				\n					EARLY BIRD SALE ENDS SOON				\n				\n				\n				\n							\n			 Days Hours Minutes Seconds		\n						\n				\n				\n				\n					Deep analysis. Brave choices. Truthful acting.				\n				\n				\n				\n									Ideal for: Working and audition-focused actorsLevel: Intermediate to AdvancedAges: Adults; mature 16-17 year olds consideredAssignment: There is work to prep for week 1. 								\n				\n				\n				\n									Act Without Fear is an 8-week class for serious\, audition-focused actors who want to deepen their craft\, sharpen their script analysis\, and make braver\, more truthful choices in their work. Designed for intermediate to advanced actors\, this class helps performers move through self-consciousness and fear by grounding them in strong text work\, clear playable actions\, and a deeper connection to behavior\, relationship\, and truth. Class work will include monologues\, partner work\, script analysis\, and exercises designed to challenge old habits and open new possibilities. This is a class for actors who want to go deeper — not just to perform well\, but to work more honestly\, specifically\, and courageously. The work will be challenging\, but the room will be supportive. Exercises are always voluntary\, actors are met where they are\, and guidance is tailored to the individual. The goal is to help actors build courage\, strengthen technique\, and develop the freedom to do more alive and compelling work in auditions\, rehearsal\, and performance. 								\n				\n				\n				\n					More Info				\n				\n				\n				\n									deep script analysismonologues and partner worklistening and behavioral truthrisk\, vulnerability\, and specificityaudition applicationbreaking self-conscious habitsmaking clearer\, braver choices								\n				\n				\n				\n					Outline & Expectations				\n				\n				\n				\n									What to ExpectAct Without Fear is a rigorous but supportive scene-based class for actors who are ready to challenge themselves\, deepen their craft\, and work consistently over 8 weeks. Because much of the class involves partner work\, preparation and attendance both matter. AttendanceSince this is a scene work class\, weekly attendance is expected and important. Actors will often be working in partnership\, so consistency matters not only for your own progress\, but for your scene partner’s process as well. Each week builds on the work of the previous one\, and regular attendance will help you get the most out of the class. What to Prepare for Week 1Please bring the following to the first class: A 60-90 second monologue from film or televisionThis piece should be prepared and ready to perform in class. A 3-page scene from film or televisionThis scene does not need to be memorized or fully prepared for the first class. It is being brought in as source material for possible assignment and class work. Choosing MaterialActors should choose material that suits their type\, age\, and current level\, while still allowing room for growth. In other words\, the material should feel appropriate and playable\, but it may also include something that stretches you a bit. For the monologue\, choose a piece you feel you can connect to truthfully and perform with confidence. For the scene\, look for material with a strong relationship\, clear objectives\, and enough substance to support ongoing work in class. Scene Selection GuidelinesBecause your scene may be considered for class assignment\, please choose carefully. There is no guarantee that the scene you bring in will be assigned or used in class\, but it may be. For that reason\, we strongly encourage actors to bring in a scene written for two people only. A three-person scene may also be acceptable if the third character has only a very small presence in the scene. Class CultureThis class is designed to challenge actors\, but not overwhelm them. The work asks for courage\, openness\, and commitment\, and actors will be encouraged to stretch beyond familiar habits. At the same time\, guidance will be tailored to the individual\, and actors will be met where they are. The goal is to create a space where actors can take meaningful risks\, do deeper work\, and grow in both freedom and craft. 								\n				\n				\n				\n							\n							\n					\n				\n			\n			\n									\n						\n							David S. Hogan						\n					\n				\n									\n						This workshop will be lead by studio founder\, David S. Hogan \n					\n				\n							\n		\n						\n				\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available
URL:https://mightytripod.com/events/camera-3-june-2024/
LOCATION:Mighty Tripod Acting Studio\, 650 S. Orcas Street\, Suite 203\, Seattle\, WA\, 98108\, United States
CATEGORIES:Camera 3,Scene Study
ATTACH;FMTTYPE=image/jpeg:https://mightytripod.com/wp-content/blogs.dir/2/files/2023/12/CAMERA-3-SCENE-STUDY.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20240218T180000
DTEND;TZID=America/Los_Angeles:20240317T210000
DTSTAMP:20260521T220821
CREATED:20231207T024925Z
LAST-MODIFIED:20240206T015336Z
UID:205239-1708279200-1710709200@mightytripod.com
SUMMARY:Camera 3: Scene Study
DESCRIPTION:April 7\n\n	\n\n	  @  \n\n\n6:00 pm\n\n	\n\n		\n	\n	  -  \n\n	May 26\n\n	\n\n	  @  \n\n\n9:00 pm\n\n\n\n	\n				\n				\n				\n				\n																														\n				\n				\n				\n					EARLY BIRD SALE ENDS SOON				\n				\n				\n				\n							\n			 Days Hours Minutes Seconds		\n						\n				\n				\n				\n					Deep analysis. Brave choices. Truthful acting.				\n				\n				\n				\n									Ideal for: Working and audition-focused actorsLevel: Intermediate to AdvancedAges: Adults; mature 16-17 year olds consideredAssignment: There is work to prep for week 1. 								\n				\n				\n				\n									Act Without Fear is an 8-week class for serious\, audition-focused actors who want to deepen their craft\, sharpen their script analysis\, and make braver\, more truthful choices in their work. Designed for intermediate to advanced actors\, this class helps performers move through self-consciousness and fear by grounding them in strong text work\, clear playable actions\, and a deeper connection to behavior\, relationship\, and truth. Class work will include monologues\, partner work\, script analysis\, and exercises designed to challenge old habits and open new possibilities. This is a class for actors who want to go deeper — not just to perform well\, but to work more honestly\, specifically\, and courageously. The work will be challenging\, but the room will be supportive. Exercises are always voluntary\, actors are met where they are\, and guidance is tailored to the individual. The goal is to help actors build courage\, strengthen technique\, and develop the freedom to do more alive and compelling work in auditions\, rehearsal\, and performance. 								\n				\n				\n				\n					More Info				\n				\n				\n				\n									deep script analysismonologues and partner worklistening and behavioral truthrisk\, vulnerability\, and specificityaudition applicationbreaking self-conscious habitsmaking clearer\, braver choices								\n				\n				\n				\n					Outline & Expectations				\n				\n				\n				\n									What to ExpectAct Without Fear is a rigorous but supportive scene-based class for actors who are ready to challenge themselves\, deepen their craft\, and work consistently over 8 weeks. Because much of the class involves partner work\, preparation and attendance both matter. AttendanceSince this is a scene work class\, weekly attendance is expected and important. Actors will often be working in partnership\, so consistency matters not only for your own progress\, but for your scene partner’s process as well. Each week builds on the work of the previous one\, and regular attendance will help you get the most out of the class. What to Prepare for Week 1Please bring the following to the first class: A 60-90 second monologue from film or televisionThis piece should be prepared and ready to perform in class. A 3-page scene from film or televisionThis scene does not need to be memorized or fully prepared for the first class. It is being brought in as source material for possible assignment and class work. Choosing MaterialActors should choose material that suits their type\, age\, and current level\, while still allowing room for growth. In other words\, the material should feel appropriate and playable\, but it may also include something that stretches you a bit. For the monologue\, choose a piece you feel you can connect to truthfully and perform with confidence. For the scene\, look for material with a strong relationship\, clear objectives\, and enough substance to support ongoing work in class. Scene Selection GuidelinesBecause your scene may be considered for class assignment\, please choose carefully. There is no guarantee that the scene you bring in will be assigned or used in class\, but it may be. For that reason\, we strongly encourage actors to bring in a scene written for two people only. A three-person scene may also be acceptable if the third character has only a very small presence in the scene. Class CultureThis class is designed to challenge actors\, but not overwhelm them. The work asks for courage\, openness\, and commitment\, and actors will be encouraged to stretch beyond familiar habits. At the same time\, guidance will be tailored to the individual\, and actors will be met where they are. The goal is to create a space where actors can take meaningful risks\, do deeper work\, and grow in both freedom and craft. 								\n				\n				\n				\n							\n							\n					\n				\n			\n			\n									\n						\n							David S. Hogan						\n					\n				\n									\n						This workshop will be lead by studio founder\, David S. Hogan \n					\n				\n							\n		\n						\n				\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available
URL:https://mightytripod.com/events/camera-3-march-2024/
LOCATION:Mighty Tripod Acting Studio\, 650 S. Orcas Street\, Suite 203\, Seattle\, WA\, 98108\, United States
CATEGORIES:Camera 3,Scene Study
ATTACH;FMTTYPE=image/jpeg:https://mightytripod.com/wp-content/blogs.dir/2/files/2023/12/CAMERA-3-SCENE-STUDY.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221002T170000
DTEND;TZID=UTC:20221106T200000
DTSTAMP:20260521T220821
CREATED:20220823T195543Z
LAST-MODIFIED:20221003T225932Z
UID:186527-1664730000-1667764800@mightytripod.com
SUMMARY:Camera 2: Scene Study\, Self-Tapes\, Headshots (SOLD OUT)
DESCRIPTION:April 7\n\n	\n\n	  @  \n\n\n6:00 pm\n\n	\n\n		\n	\n	  -  \n\n	May 26\n\n	\n\n	  @  \n\n\n9:00 pm\n\n\n\n	\n				\n				\n				\n				\n																														\n				\n				\n				\n					EARLY BIRD SALE ENDS SOON				\n				\n				\n				\n							\n			 Days Hours Minutes Seconds		\n						\n				\n				\n				\n					Deep analysis. Brave choices. Truthful acting.				\n				\n				\n				\n									Ideal for: Working and audition-focused actorsLevel: Intermediate to AdvancedAges: Adults; mature 16-17 year olds consideredAssignment: There is work to prep for week 1. 								\n				\n				\n				\n									Act Without Fear is an 8-week class for serious\, audition-focused actors who want to deepen their craft\, sharpen their script analysis\, and make braver\, more truthful choices in their work. Designed for intermediate to advanced actors\, this class helps performers move through self-consciousness and fear by grounding them in strong text work\, clear playable actions\, and a deeper connection to behavior\, relationship\, and truth. Class work will include monologues\, partner work\, script analysis\, and exercises designed to challenge old habits and open new possibilities. This is a class for actors who want to go deeper — not just to perform well\, but to work more honestly\, specifically\, and courageously. The work will be challenging\, but the room will be supportive. Exercises are always voluntary\, actors are met where they are\, and guidance is tailored to the individual. The goal is to help actors build courage\, strengthen technique\, and develop the freedom to do more alive and compelling work in auditions\, rehearsal\, and performance. 								\n				\n				\n				\n					More Info				\n				\n				\n				\n									deep script analysismonologues and partner worklistening and behavioral truthrisk\, vulnerability\, and specificityaudition applicationbreaking self-conscious habitsmaking clearer\, braver choices								\n				\n				\n				\n					Outline & Expectations				\n				\n				\n				\n									What to ExpectAct Without Fear is a rigorous but supportive scene-based class for actors who are ready to challenge themselves\, deepen their craft\, and work consistently over 8 weeks. Because much of the class involves partner work\, preparation and attendance both matter. AttendanceSince this is a scene work class\, weekly attendance is expected and important. Actors will often be working in partnership\, so consistency matters not only for your own progress\, but for your scene partner’s process as well. Each week builds on the work of the previous one\, and regular attendance will help you get the most out of the class. What to Prepare for Week 1Please bring the following to the first class: A 60-90 second monologue from film or televisionThis piece should be prepared and ready to perform in class. A 3-page scene from film or televisionThis scene does not need to be memorized or fully prepared for the first class. It is being brought in as source material for possible assignment and class work. Choosing MaterialActors should choose material that suits their type\, age\, and current level\, while still allowing room for growth. In other words\, the material should feel appropriate and playable\, but it may also include something that stretches you a bit. For the monologue\, choose a piece you feel you can connect to truthfully and perform with confidence. For the scene\, look for material with a strong relationship\, clear objectives\, and enough substance to support ongoing work in class. Scene Selection GuidelinesBecause your scene may be considered for class assignment\, please choose carefully. There is no guarantee that the scene you bring in will be assigned or used in class\, but it may be. For that reason\, we strongly encourage actors to bring in a scene written for two people only. A three-person scene may also be acceptable if the third character has only a very small presence in the scene. Class CultureThis class is designed to challenge actors\, but not overwhelm them. The work asks for courage\, openness\, and commitment\, and actors will be encouraged to stretch beyond familiar habits. At the same time\, guidance will be tailored to the individual\, and actors will be met where they are. The goal is to create a space where actors can take meaningful risks\, do deeper work\, and grow in both freedom and craft. 								\n				\n				\n				\n							\n							\n					\n				\n			\n			\n									\n						\n							David S. Hogan						\n					\n				\n									\n						This workshop will be lead by studio founder\, David S. Hogan \n					\n				\n							\n		\n						\n				\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available
URL:https://mightytripod.com/events/camera-2-scene-study-self-tapes-headshots-2/
LOCATION:Mighty Tripod Acting Studio\, 650 S. Orcas Street\, Suite 203\, Seattle\, WA\, 98108\, United States
CATEGORIES:Acting for the Camera,Acting for TV,Actor Business,Actor Training,Camera 2,Scene Study
ATTACH;FMTTYPE=image/jpeg:https://mightytripod.com/wp-content/blogs.dir/2/files/2022/07/Camera-1-The-Audition-The-Biz.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220731T130000
DTEND;TZID=UTC:20220904T160000
DTSTAMP:20260521T220821
CREATED:20220705T225127Z
LAST-MODIFIED:20220705T234440Z
UID:183995-1659272400-1662307200@mightytripod.com
SUMMARY:Camera 2: Scene Study\, Self-Tapes\, Headshots
DESCRIPTION:April 7\n\n	\n\n	  @  \n\n\n6:00 pm\n\n	\n\n		\n	\n	  -  \n\n	May 26\n\n	\n\n	  @  \n\n\n9:00 pm\n\n\n\n	\n				\n				\n				\n				\n																														\n				\n				\n				\n					EARLY BIRD SALE ENDS SOON				\n				\n				\n				\n							\n			 Days Hours Minutes Seconds		\n						\n				\n				\n				\n					Deep analysis. Brave choices. Truthful acting.				\n				\n				\n				\n									Ideal for: Working and audition-focused actorsLevel: Intermediate to AdvancedAges: Adults; mature 16-17 year olds consideredAssignment: There is work to prep for week 1. 								\n				\n				\n				\n									Act Without Fear is an 8-week class for serious\, audition-focused actors who want to deepen their craft\, sharpen their script analysis\, and make braver\, more truthful choices in their work. Designed for intermediate to advanced actors\, this class helps performers move through self-consciousness and fear by grounding them in strong text work\, clear playable actions\, and a deeper connection to behavior\, relationship\, and truth. Class work will include monologues\, partner work\, script analysis\, and exercises designed to challenge old habits and open new possibilities. This is a class for actors who want to go deeper — not just to perform well\, but to work more honestly\, specifically\, and courageously. The work will be challenging\, but the room will be supportive. Exercises are always voluntary\, actors are met where they are\, and guidance is tailored to the individual. The goal is to help actors build courage\, strengthen technique\, and develop the freedom to do more alive and compelling work in auditions\, rehearsal\, and performance. 								\n				\n				\n				\n					More Info				\n				\n				\n				\n									deep script analysismonologues and partner worklistening and behavioral truthrisk\, vulnerability\, and specificityaudition applicationbreaking self-conscious habitsmaking clearer\, braver choices								\n				\n				\n				\n					Outline & Expectations				\n				\n				\n				\n									What to ExpectAct Without Fear is a rigorous but supportive scene-based class for actors who are ready to challenge themselves\, deepen their craft\, and work consistently over 8 weeks. Because much of the class involves partner work\, preparation and attendance both matter. AttendanceSince this is a scene work class\, weekly attendance is expected and important. Actors will often be working in partnership\, so consistency matters not only for your own progress\, but for your scene partner’s process as well. Each week builds on the work of the previous one\, and regular attendance will help you get the most out of the class. What to Prepare for Week 1Please bring the following to the first class: A 60-90 second monologue from film or televisionThis piece should be prepared and ready to perform in class. A 3-page scene from film or televisionThis scene does not need to be memorized or fully prepared for the first class. It is being brought in as source material for possible assignment and class work. Choosing MaterialActors should choose material that suits their type\, age\, and current level\, while still allowing room for growth. In other words\, the material should feel appropriate and playable\, but it may also include something that stretches you a bit. For the monologue\, choose a piece you feel you can connect to truthfully and perform with confidence. For the scene\, look for material with a strong relationship\, clear objectives\, and enough substance to support ongoing work in class. Scene Selection GuidelinesBecause your scene may be considered for class assignment\, please choose carefully. There is no guarantee that the scene you bring in will be assigned or used in class\, but it may be. For that reason\, we strongly encourage actors to bring in a scene written for two people only. A three-person scene may also be acceptable if the third character has only a very small presence in the scene. Class CultureThis class is designed to challenge actors\, but not overwhelm them. The work asks for courage\, openness\, and commitment\, and actors will be encouraged to stretch beyond familiar habits. At the same time\, guidance will be tailored to the individual\, and actors will be met where they are. The goal is to create a space where actors can take meaningful risks\, do deeper work\, and grow in both freedom and craft. 								\n				\n				\n				\n							\n							\n					\n				\n			\n			\n									\n						\n							David S. Hogan						\n					\n				\n									\n						This workshop will be lead by studio founder\, David S. Hogan \n					\n				\n							\n		\n						\n				\n				\n				\n					\n	\n\n		\n		\n		\n\n		\n\n\n		\n\n\n\n	Tickets\n\n		\n	\n	\n		The numbers below include tickets for this event already in your cart. Clicking "Get Tickets" will allow you to edit any existing attendee information as well as change ticket quantities.	\n\n\n		\n		\n		\n	\n		Tickets are no longer available
URL:https://mightytripod.com/events/camera-2-scene-study-self-tapes-headshots/
LOCATION:Mighty Tripod Acting Studio\, 650 S. Orcas Street\, Suite 203\, Seattle\, WA\, 98108\, United States
CATEGORIES:Acting for the Camera,Acting for TV,Actor Business,Actor Training,Camera 2,Scene Study
ATTACH;FMTTYPE=image/jpeg:https://mightytripod.com/wp-content/blogs.dir/2/files/2022/07/Camera-1-The-Audition-The-Biz.jpg
END:VEVENT
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